Beenie Said Knock You Out. (And That's Not The Half Of It.)

Reggae star's lyrics say that lesbians should be hanged.

So the link goes to an article from the UK Times Online that concisely introduces the “new” story of overt homophobia in reggae and dancehall songs from Jamaican artists. I feel the need to cavil just a tad because this sort of story really isn’t new at all, and I’m disappointed that some publications are just now picking up on it. I took a class last fall called “Homophobia in the Black World”, and the professor had us listen to some songs, including the Beenie Man songs named in the article. Although the reporter calls this a “new offence”, it seems like it’s been in the homophobia discourse for easily a decade and probably longer.

But, anyway, it’s an interesting part of cultural homophobia. While it’s really easy for me, for some reason, to grumble about the homophobic lyrics of Eminem and other U.S. hip hop artists, I have a little more difficulty with these reggae artists. I mean, the lyrics are reprehensible to be sure. There is little to like about “Hang lesbians with a long piece of rope,” and the “Batty Man Fi Dead” lyrics had me agape when I first read them. (And I can’t find them anywhere now to reference. I’ll work on that. Needless to say? Scary stuff.) But music is such a rich part of Jamaican culture, or at least that’s what I gathered from my professor who is from Jamaica and has done public health work there. It brings up questions of what is considered a form of art, and can it still be art if it is hateful? I don’t know if I would call Beenie Man’s songs art per se, but I can’t stand it when people make overarching statements about reggae or hip-hop music being so awful because it’s homophobic (or misogynistic). I think it denies the artistic merits of those genres to do that, and it denies the homophobia that are present in other music genres.

So it’s clear that homophobia, in the example of these songs, is operating at a fairly broad, cultural, and explicit level. Explicit, at least, for those in Jamaica, and it doesn’t exactly seem like the best place to be out about being gay there. Not to say that the things expressed in these songs are characteristic of the culture, but it’s my sense that there is a homophobia there that operates more overtly and menacingly than what I am familiar with in the U.S. Okay, now I feel like I’m digging myself into a hole here. I guess I have to honestly say that I have some presumptions about Jamaican culture vis-à-vis homophobia. Much of it is because of music like this. I think it’s good that gay rights activists are fighting against homophobia in popular music, but I have this overwhelming feeling that maybe attentions should be focused…elsewhere maybe? Maybe it’s just that I don’t feel like the oppression I receive is from homophobic lyrics; it’s more about the overall lack of positive and honest gay representation in entertainment media. However, because music is such a part of Jamaica’s culture, it makes sense for gay activists to work within that area there. I just wonder if efforts should be made to build alliances in Jamaica, though, since change might be more effectively if it’s not coming from activists based in other countries. Homophobia is everyone’s fight, but I think change in a culture is most valuable from the people in that culture.